The cruel patterns of the past and the future.’, “Sleeping Mathilde”


The ritual usually took place at night, when the holy Altar burned ghostly in the middle of the yard. Around it would dance, covered in blood, nude witches, keepers of the scourge. They had in long, thick, blonde hair onyx crystals or raven feathers entwined within them. The head-priestess  would wear a crown of deer antlers. The witches, while chanting a mantra, would dispense soil from the graves around the altar.

‘Oh, Yambe-Akka, all that we offer may now be thine

And no man else’s

Oh Yambe, Goddess of the Underworld, take this gift,

Offer him to your peasant spouse, the God of Death,

So it may be his and no man else’s!’

Thus the three beautiful witches would chant until they fell to the ground in ecstasy. Then I would approach them, cloaked as if in a pupa, surrounded by a procession of swarthy torchbearers and claimed them, upon which the ritual continued; the tribute would be brought over, completely nude, from the lower chambers, the torture chambers – it is their blood I would drink upon the ritual’s conclusion. Oftentimes I would, when in shortage of manpower and the fear which paced ahead of me like a shade, drink up horse blood in honor of Yambe-Akka.

 ’Oh Yambe-Akka, let me behold the cruel patterns of the past and the future.’

 ‘Oh, Yambe-Akka, do not let the premonitions dry up!’, I would utter in an official tone of voice, raising my scepter with both hands. After I had had my fill of the meat, I would take a sharp athame in my hand, doused in blood. Upon the palm of the victim I would personally carve the hagalaz rune, and the Goddess would snatch away the dried away, dead bodies, storing them in the chest of gifts. The vultures of darkness would then disperse on the sky of Norrbotten, chased away by the spirit of the Goddess…

“’’The blade was laid in the carved bone which might have once been an arm of a faithful servant’ – I would tap the traveler on his shoulder – ‘and the altar, an ancient image of divinity’ – I would proudly point towards the extinct altar – ‘will speak the tongue of bones tonight’. Bone-chilling words I would direct at a wealthier yeoman or a more ambitious Brit, who would come as was his duty, quivering like a leaf, to bow down to me and ask for my blessing.

an excerpt from the novel “Sleeping Mathilde”

 

 

 

 

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